Portrait of Hester, Lady Lushington, née Boldero (1753-1830), three-quarter length, in a white dress and seated in a landscape
Portrait of Hester, Countess of Clanricarde (d. 1803), half-length, in a red dress and a black, lace-trimmed wrap
Portrait of Edward Wortley, Lord Montagu
Study for Milton and his daughters – en brunaille
Portrait of John Mills, half-length
A sketchbook of 12 sheets, rebound in a modern marbled paper binding, with new additional sheets at each end, including studies for: Portrait of Mrs Jackson; Melancholy; Portrait of Mrs Yeats; The Warren Family
Portrait of Emma, Lady Hamilton (1765-1815), bust-length
Portrait of Lady Alicia Wedderburn, née Dundas (1754-1831), half-length
Portrait of George Henry Fitzroy (1760-1844), Earl of Euston, later 4th Duke of Grafton, three-quarter-length, in a black coat, with a landscape beyond
Portrait of Mrs William Maguire, seated, half-length, in a white dress and fichu, a landscape beyond
Portrait of a gentleman seated, full-length, a table beside him
Portrait of a lady, half-length, in a white dress, unfinished
Portrait of James Cross of Clifton, Bristol (?1739-1791), three-quarter-length, at a table with a landscape beyond
Head of Miranda
Portrait of a girl, traditionally identified as Lady Charlotte Stanley (1776-1805); and Portrait of Edward (1775-1851), Lord Stanley, later 13th Earl of Derby, both bust-length
Portrait of Alicia Dundas, Lady Wedderburn (1754-1831), half-length
Portrait of Miss Williams, bust-length, in a painted oval
Portrait of Mrs John Gathorne, half-length, in a silver gown, her left elbow resting on a table
Portrait of Mrs Mary Moody ( c . 1767-1820), wife of Samuel Moody, three-quarter-length, in a landscape
Prometheus Bound
Portrait of George Morewood (1720-1792) of Alfreton Park, Derbyshire, full-length, in a green suit with a walking stick
A sketchbook of 1791-2 including: Sketches for Macbeth: The cavern Scene; Macbeth: The Banquet Scene ; John Howard visiting a Lazaretto ; Newton and the Prism ; Landscape Studies; Studies for portraits; Studies of the head of an older man (possibly a self-portrait); Studies of a standing child; Studies of a reclining woman, possibly Iphigenia and her attendant spied on by Cymon ; Studies of a standing female figure with arm raised, possibly a study for Lady Hamilton as Cassandra or as Joan of Arc ; Studies of an initiation scene; Studies of couples meeting by a cottage; Studies of a dancing group; Studies of a male figure reaching down to embrace his infant child; A seated female figure with an attendant embracing a corpse, possibly related to the lost painting Susan when the seas are roaring ; and Sketches of an exotic figure in a robe
Portrait of General Albemarle Bertie, 9th Earl of Lindsay (1744-1818), half-length, in the uniform of the Grenadier guards
Portrait of Francis Lind (1752/3-1840), three-quarter-length, seated at a window, a one-keyed Simpson ivory flute in his right hand
